Friday, September 7, 2012

Sad Trombone

Click to hear

The other day I received an email titled "BAD NEWS."

When I forwarded it to my husband, he thought someone had died. No. Not even close.

Months ago I'd had this sudden terrible feeling in my stomach, and I said to him, "Do you really think they'll publish her novel?"

"No," he said. Just flat out, no sugar, n-o. There was no way Sunbury Press would publish the author's novel.

He and I had joked that at some point the publisher would have to realize that the Second Worst Novel ever—the tale of a writer who whines a lot and refuses to make changes—was written in first person because it is our dear Author's story. And we would shout, "Soilent Green is people!" and laugh, but at that moment—that "no"—was without humor.

Months passed. I was extremely skeptical of Sunbury. Why were they putting off sending the author notes? The publication date would be pushed back and still no edits arrived. Was their editing process simply going to be a list of typos she needed to change before they hit "print"? They didn't seem to be allowing any time for a real revision. If they didn't understand how badly the manuscript needed to be revised, what was wrong with them?

When the edits finally arrived, the author was categorically opposed to every last one of them—everything from "move the period to the outside of the parentheses" to "put the names of books insides quotes." The solution to the author's jarring tone was to change everything from present to past tense and remove every simile.

When these "edits" were recounted to me, I imagine that the manuscript was passed from person to person—from editor to assistant to janitor to someone's 7th grader—until they found a willing "editor," all the while never knowing that they could just negate the contract because the author had grown so frustrated with Sunbury's lack of attention that she had been shopping the novel around to other publishers.

After some back and forth over email, Sunbury finally told the author they cannot publish her novel at this time. Somehow this was a surprise. This was "BAD NEWS."

I wasn't sure what to say to the author. I mean, I hadn't told her any of my previous thoughts about the situation (e.g. Your manuscript is lousy; if your publisher doesn't ask for sweeping changes, readers ought to demand their money back; your publisher is a joke...), and it's not like I was rooting against her. I hate the manuscript, but I didn't want them to cancel her book deal.

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